Voice Over: Zineb Sedira
In her solo-exhibition, Voice-Over, Sedira will create a new iteration for SMoCA of Here Wondering Which Way to Go an installation first shown at the Jeu de Paume in Paris in 2019. Zineb Sedira will be the first artist of African descent to represent France at the 2022 Venice Biennale.
Feb 20 - Sep 5, 2021
London-based French born Algerian artist Zineb Sedira has been mining her personal relationship to post-colonialism and a transnational identity in her artistic practice for over 25 years. Sedira’s work, which conveys the political through the personal, continues to draw on the silenced cultural history of Algeria and her own autobiography. Born in Paris to Algerian post-war immigrant parents and raised in what is considered the “racial other” suburbs (banlieus) of Paris, Sedira then graduated Central Saint Martin’s School and the Slade School of Art, where she was influenced by Stuart Hall, British Cultural Studies, and the Black Arts Movement. Zineb Sedira will be the first artist of African descent to represent France at the 2022 Venice Biennale.
In her solo-exhibition, Voice-Over, Sedira will create a new iteration for SMoCA of Standing Here Wondering Which Way to Go an installation first shown at the Jeu de Paume in Paris in 2019 and commissioned by Jeu de Paume, Paris, France; IVAM, Valencia, Spain; Gulbenkian, Lisbon, Portugal; and Bildmuseet, Umeå, Sweden. This work is inspired by the 1969 Pan-African Festival of Algiers—a key historical event that marked Algeria’s important role in various liberation movements in Africa along with the global 1960s political, anti-imperialist, utopian consciousness—as well as its eponymous William Klein documentary film of the same year.
Standing Here Wondering Which Way to Go is composed of four “scenes” echoing
Other scenes in Standing Here Wondering Which Way to Go explore the sense of utopia and resistance that accompanied the Pan-African Festival through various media including Mise-en-scène, a film the artist created from decaying found archival footage of Algerian militant films, and For a Brief Moment the World was on Fire and We Have Come Back that are comprised of photomontages with various 1960s objects and books and collected vinyl records from counter-cultural social justice music. This vibrant installation will engage further conversations around complex and layered identities, collective memories, the divisive and militant era of the 1960s, and anti-colonial histories.
SMoCA will also be exhibiting several of Zineb Sedira’s videos that focus on her interest in intergenerational oral histories, how stories are collected, recorded, and transmitted, paying particular tribute to her parents’ native country, Algeria. These videos include the much acclaimed and foundational video Mother Tongue (2002), which frames questions about language, transmission, and mobility, The End of the Road (2010), Tracing a Territory (2016), and Inconsistent Mapping (2017) in which memory, archival transmission of history and subjectivity are played out. Sedira employs her own voice-over in the videos as a radical device that disrupts conventions of documentary. Posing important questions on the relation between history and aesthetics, trauma and form, Sedira uses photography, archival film, and recorded interviews along with the voice-over-technique, to establish herself as a significant voice in the global contemporary artworld.
Organized by Scottsdale Museum of Contemporary Art and guest curated by Natasha Boas, Ph.D. Supported by the Walter and Karla Goldschmidt Foundation.