Héctor Zamora, Reductio Ad Absurdum, 2012. 1976 ALJO travel trailer, 35 tons of native Arizona sand. Courtesy of the artist. © Héctor Zamora. Photo: Dan Vermillion
Héctor Zamora, Reductio Ad Absurdum, 2012. 1976 ALJO travel trailer, 35 tons of native Arizona sand. Courtesy of the artist. © Héctor Zamora. Photo: Dan Vermillion
Héctor Zamora, Reductio Ad Absurdum, 2012. 1976 ALJO travel trailer, 35 tons of native Arizona sand. Courtesy of the artist. © Héctor Zamora. Photo: Dan Vermillion
Héctor Zamora, Reductio Ad Absurdum, 2012. 1976 ALJO travel trailer, 35 tons of native Arizona sand. Courtesy of the artist. © Héctor Zamora. Photo: Dan Vermillion
Héctor Zamora, installation view, OG-107 Scenery, 2012. U.S. Army-issue reserve parachute (model: T-10R MIRPS-SLCP, color: olive green-107 color, size: 24-foot diameter); electric fans; airplane hangar. Courtesy of the artist. © Héctor Zamora. Photo: Dan Vermillion
Héctor Zamora, installation view, OG-107 Scenery, 2012. U.S. Army-issue reserve parachute (model: T-10R MIRPS-SLCP, color: olive green-107 color, size: 24-foot diameter); electric fans; airplane hangar. Courtesy of the artist. © Héctor Zamora. Photo: Dan Vermillion
Héctor Zamora, installation view, OG-107 Scenery, 2012. U.S. Army-issue reserve parachute (model: T-10R MIRPS-SLCP, color: olive green-107 color, size: 24-foot diameter); electric fans; airplane hangar. Courtesy of the artist. © Héctor Zamora. Photo: Dan Vermillion
Héctor Zamora
Architecture + Art: Héctor Zamora
Architecture + Art: Héctor Zamora is a site-specific project in response to the environmental and architectural context of the Museum in Scottsdale, as well as the Arizona desert. Artist Héctor Zamora creates dynamic installations that explore the social implications of architecture. Focusing on urbanism/suburbanism in the wake of the U.S. housing collapse, Zamora’s installation at SMoCA […]
Oct 27 - Jan 27, 2013
Architecture + Art: Héctor Zamora is a site-specific project in response to the environmental and architectural context of the Museum in Scottsdale, as well as the Arizona desert. Artist Héctor Zamora creates dynamic installations that explore the social implications of architecture. Focusing on urbanism/suburbanism in the wake of the U.S. housing collapse, Zamora’s installation at SMoCA challenges viewers to reinterpret the intersection of our constructed world and the natural landscape. An artwork in a separate satellite location critically reconsiders the presence of military operations throughout the Sonoran desert’s vast public lands.
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